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What started as a minor annoyance is now officially
full-fledged bothersome.
Don't be so goddamn smug, Dear Reader, 'cause
you just got on my wrong side
is what. And that ain't no enviable place to
be; no-how, not-now, kung-pow,
brown-cow, and-how, nippity-now, zippity-zow.
Ya done slipped up and now
yer innit good.
Think ya got old Jim locked up tight?
Think ya got me all figgered out? Think
ya done spotted my 'killey's heel?
Well, could be some folks think a whole lot
and never stop to consider much.
Betcha never thought 'bout such a thing?
S'posin' not, what with you sitting
there holding these damn pages in them
nasty fingers of
your'n, readin' hard and thinkin' easy just like always.
You. Thinking this relationship ain't no
two way street. Smug is what.
Thinking without proper considerin'.
Not knowin' jack-doodly-squat-times-one.
Damn if you ain't just a
regular smuggle-dee-bug so and so. Smugbug is what.
Thinkin' you know.
Think I don't know? Think you kin read
these words offa page and make
deductions 'bout where I been and where I'm
gonna go, what I'm about?
About who THE FUCK I am, even? Puh! Thinking
you know All About Jim
Jam Jump just 'cause ya read a chapter with such a
title. Thinkin' once you
put the bookmark in and wander off to the toilet
that I temporarily cease to
exist, maybe even never really did exist. Well,
maybe it ain't exactly the way
you figgered, smugbug. Or maybe it is, but
maybe there's somethin' more.
Maybe when the bookmark goes in it's yer own
dumb-thinkin' self that stops
bein and not me. Maybe fer me that's exactly
how it is.
Maybe without each other aint neither of
us fer nothin'. Maybe the book bein'
open is all that either of us got.
Maybe ever was. Maybe you n' me need each
other in a way. Two twins sharin'
a heart. Like good and evil, like Ida Mae
and Becky.
Yeah, go on. Keep bein' so smug. Bein'
smug don't change nothin' and never
will, I 'spect.
What you think you know:
You think ol' Jim Jam Jump is just a
diseased fictional varmint pickin' the
pockets of drunks and splattin'
innocent rats fer fun and profit. Think I ain't
got a natural sense fer fine
music, think I'm some kinda hanger-on to Buddy
Bolden, trine to soak up some
glory by hangin' round 'im with too much rye
in my belly, tootin' his
worthless horn in the street for a pity blow only ta
make a screechin' bunch
o' rat-ghost-drawin' noise.
Thinkin' you know the nature of my double-blink.
Thinkin', also too, that I'm just a
twisted up figment of some damn writer's
imagination. Well, let me tell ya,
buster, that Maistros fuck don't do nothin'
I don't tell him to. Somethin'
he don't accept none-too natural-like, neither.
That's 'cause he just like
you. Thinkin' till his brain hurt without never
considerin' much. Not too
much, anyway.
What you think I don't know:
Think I can't look straight back atcha
when these pages held open, figgerin'
you out just like you think ya got me
figgered. Think I can't see yer hair ain't
sittin' on yer head exactly how
ya like it. How yer weird lookin' thumbs got a
nail slightly longer on the
right one. Clip that damn thing, wouldja? 'Bout ta
make me sick so awful
damn close to my eye, sittin' right at the edge of this
page. Yuckety duck
hissy-pissy hucklebuck fuckfuckfuckety fuck. You, with
that folded up phone
number tucked away, the one without a name written
above or below it, scared
to throw it out 'cause it might be important. Well,
I'll tell you what; it
is important. Call that number, smugbug. Never know who
might answer. Might
be some fictional boy pick up the phone. I await yer call,
right here, right
now, Dear Reader. Bein' that you need proof o' what I say.
What I say, Jim.
Thinkin' when the book done closed I
can't bother ya no-more-no-how; that
I can't open my own damn book anytime I
want and have a peek inta yer own
greasy-pink soul. You, Dear Reader. Thass
right.
Presumin' to peek into my own little soul
and thinkin' that fact puts you a
step above yers truly. Yers truly, Jim Jam
Jump. The fictional boy. Harmless
little wisp of imaginary man. Just a
character in a book by a two-bit hack.
Finish reading it or don't; slam it
shut, toss it in the trash or pass it to a friend
or sell my cranky psycho
ass on Ebay for a dollar and a dime. Fuck you.
Well, if I'm so dang fictional then how is it
that yer hearin' me now? Words
don't just appear outta nowhere, Smugbug.
Someone talks em. That'd be me.
My words. Right here. Right now. Offa the
page and inta yer eyes. Kickin'
holes in yer big goopy brain.
You see me, Smugbug. My dreams is stupid
and thin, my future bleak, the
fabric of my bein' not even fer real. Sure,
sure. My methods might be nasty
and mean, ya just might be right about that.
But I'm only lookin' out fer
number one like every other son-of-a-gun on
God's green earth. Can't get by
in this hard world without such a way. Just
like you, is what. Jim Jam Jump
weren't born with no privilege slippin' back
on his pink-baby tongue. My
Daddy dead, dead, dead; devil pulled outta my
heart by the otherworldly
music of Bolden's horn, this scar over my heart,
down and kicked around,
fightin' back the only way I know how, killin'
sometimes if I gotta -- and
even if I don't gotta but just feelin' ornery.
Got plenty of shame and a tiny
little remorse 'bout all that. Just like you.
But just maybe now I be mad
enough to develop a method beyond the random.
Modus operandi the coppers
call it. Frequency modulation say me.
I see you too, Dear Reader.
You see that devil lingerin' in me, sure
-- but don't be so proud, 'cause I see
one in yer own sweet self. You ain't
so pure, Smugbug. You done killed
some rats. You done wronged a friend. You
got the taste of blood and went
back for more.
On the sly.
Thinkin' no one looking. You've pissed on
innocence; yer own and of others.
You smelt yer own shit and pretended it
ain't yers. Yer fingernails is dirty.
You got blood. In yer veins, on yer
hands. You done worse than me a hundred
times over, only with less style.
You got yer own damn frequency modulation
of sorts, say me. Sayin' it ain't
so don't make it not.
I'm just sixteen years old today, but for
me the year is 1906 -- so I guess that
makes me older'n you. The year is
what it is fer you, and that don't matter a
lick to me, not one itty bit it
don't.
When you close this book I'm gone fer
you, but yer gone too. Figment of my
imaginary imagination. Gone. You and
yer ugly, lopsided thumbnails, yer
funny hair, yer spooked eyes, and yer
smirkin' lips.
Think I can't see?
Clip that damn thing.
What I say, Jim.
Well, damn then.
If this ain't just too damn much.
Damn, damn, damn.
Clip it.
Someone 'round here got themself a whole lotta nerve is what.
And I thought we was friends.
Poo times two.
You done pissed off the wrong hunk-a-lunk, Dear Reader.
Jim.
Jam Jump.
Say hoo.
Copyright 2008 Louis
Maistros






































